Record Tracklist
- Espejos vs. The Gaze (Espejos vs. La Mirada)
- Pillow People (Gente de Almohada)
- Critical Time (Tiempo Crítico)
- Barrio Healer (La Curandera del Barrio)
- Olokun y Yemayá
- La danza de Coyolxauhqui (The Dance of Coyolxauhqui)
- La Bamba
- Get to Knowing (Conociendo)
- ¡Mira! (Look!)
- Mamá Nahual
- La Lloroncita
- Ay que no que no
- Unbound (Sueltos)
- Pajaritos
- Cellular Memory (Memoria Celular)
- Godo Alfredo
- Toro Ayotzinapa
- La Indita
The GRAMMY-winning East L.A. band Quetzal summons a powerful panoply of sounds from its urban palette – rock, R&B, Mexican son jarocho, Japanese taiko, Afro-Cuban batá, and more – to create an ambitious, artful album with a social point of view. The Eternal Getdown, their seventh album, taps Quetzal’s extended family of artists, including Aloe Blacc, to affirm the power of music and people to “get down” together in creative harmony. 77 minutes, 44-page bilingual booklet.
This album is the 46th in the Smithsonian Folkways Tradiciones/Traditions Series of Latino music albums, produced with support from the Smithsonian Latino Center.
INSTRUMENTS:
Cello, Drums, Fender bass, Guitar, electric, Guitarra de son, Hammond B3 organ, Itótele, Iyá, Jarana, Jarana primera, Jarana segunda, Jarana tercera, Leona, Marimbol, Mbira, Moog synthesizer, Okónkolo, Percussion, Quijada, Requinto doble, Requinto jarocho, Taiko, Tarima, Violin, Vocals, Vocals, backing, Vocals, spoken
CREDITS:
D.A. Sonneborn – Executive Producer
Huib Schippers – Executive Producer
Robert Carranza – Recorder
Quetzal Flores – Recorder, Producer
Alberto López – Recorder
Tylana Enomoto – Recorder
Daniel Sheehy – Co-Producer, Executive Producer
Pete Reiniger – Mixing Engineer
Charlie Pilzer – Mastering Engineer